– by Rainer Warzecha
Keeping the heritage of the natural alive!
Our group of artists, united in the earthwork-artnet and Interglotz-team, has been erecting adobe playgrounds and sculptures made of clay and natural structures (using wood, bamboo, stone) since 1990. We are located in
In fact, our village is in some way reconnecting to the roots and heritage of architecture in its development. We use something very old: pure earth. In fact, the material has probably already has been built with at some point in the near or distant past. In any case, the resource is as local as you can get.
As in the old times, the time span between spinning and discussing an idea to a resultant building or sculpture is quite short. Also, children have the chance to erect something large, not the usual matchbox-size mock-up that is reserved for them in most cases. They get to experience shelter-building as a natural process, and get to experience the value of many hands working together. Our kind of teamwork supports a spirit of community and identification with the structure by the process of building a hut or house. The playground is made by those who are going to use it when it’s done.
Beneath the communicative, psychological and social experiences is the specific sensual attractions of clay. Often I heard that kids termed Lehm in their own words as Leben, which means “live“. And indeed that is a central truth of the material and element – earth – that we deal with.
“Makunaima” is a symbolic figure from South American religion and philosophy. Part of the philosophy states that kids are ‘elder spirits’, bringing in their own viewpoints, a heritage from beyond, when they come to birth. They have magic forces, as many of us who are parents will agree. This legendary figure Makunaima tells us more: we as adults should try to keep the child in ourselves alive (trying to follow this Bob Dylan song line “I was so much older then, I’m younger than that now!”).
And so we do. Trying to keep it young, seeing things through the eyes of a child sometimes.
Clay or mud is an unformed, basic substance. EVERYONE can get it free, with no costs – or only cost of transporting it. Building shelter using the materials around us also is part of our human heritage. Hopefully we can retain this, just as we all should have the freedom to breathe fresh air and drink pure water.
In this way, we tap into the children’s fantasies, and reconnect to the past and the spirit of traditional native art of African, Mayan, and Aboriginal roots. Beyond the TV representations that we consume daily as we travel forward in modern life, here we look backward from time to time, to reconnect authentically with those human roots. As well, we try to reintroduce joy and play into the process of work, instead of keeping them separate! For example, music performances often flow spontaneously from periods of intense work.